Senin, 26 Mei 2014

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  • Published on: 2014-12-08
  • Binding: Paperback

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Minggu, 25 Mei 2014

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Showing Our True Colors (True Success Book)

  • Sales Rank: #8449608 in Books
  • Published on: 1900
  • Binding: Paperback

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Selasa, 20 Mei 2014

[O388.Ebook] Download Jeannie Out of the Bottle, by Barbara Eden, Wendy Leigh

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Jeannie Out of the Bottle, by Barbara Eden, Wendy Leigh


A magical, heartwarming memoir from one of Hollywood’s most beloved icons
 
Over the past four decades, the landmark NBC hit television series I Dream of Jeannie has delighted generations of audiences and inspired untold numbers of teenage crushes on its beautiful blond star, Barbara Eden. Part pristine Hollywood princess and part classic bombshell, with innocence, strength, and comedic talent to spare, Barbara finally lets Jeannie out of her bottle to tell her whole story.
 
Jeannie Out of the Bottle takes us behind the scenes of I Dream of Jeannie as well as Barbara’s dozens of other stage, movie, television, and live concert performances. We follow her from the hungry years when she was a struggling studio contract player at 20th Century Fox through difficult weeks trying to survive as a chorus girl at Ciro’s Sunset Strip supper club, from a stint as Johnny Carson’s sidekick on live TV to tangling on-screen and off with some of Hollywood’s most desirable leading men, including Elvis Presley, Clint Eastwood, Paul Newman, and Warren Beatty. From the ups and downs of her relationship with her Jeannie co-star Larry Hagman to a touching meeting with an exquisite and vulnerable Marilyn Monroe at the twilight of her career, readers join Barbara on a thrilling journey through her five decades in Hollywood.
 
But Barbara’s story is also an intimate and honest memoir of personal tragedy: a stillborn child with her first husband, Michael Ansara; a verbally abusive, drug-addicted second husband; the loss of her beloved mother; and the accidental heroin-induced death of her adult son, just months before his wedding. With candor and poignancy, Barbara reflects on the challenges she has faced, as well as the joys she has experienced and how she has maintained her humor, optimism, and inimitable Jeannie magic throughout the roller-coaster ride of a truly memorable life.
 
Illustrated with sixteen pages of photographs, including candid family pictures and rare publicity stills, Jeannie Out of the Bottle is a must-have for every fan, old and new.


From the Hardcover edition.

  • Sales Rank: #457891 in Books
  • Published on: 2011-04-12
  • Released on: 2011-04-12
  • Formats: Audiobook, Unabridged
  • Original language: English
  • Number of items: 6
  • Dimensions: 5.93" h x 1.09" w x 5.08" l, .39 pounds
  • Running time: 450 minutes
  • Binding: Audio CD
  • 7 pages

About the Author
Barbara Eden has been a television, film, and stage actress, and a Las Vegas headliner, for more than five decades. She is best known for her title role in the hit TV series I Dream of Jeannie. She grew up in San Francisco and currently lives in Beverly Hills with her husband, Jon Eicholtz, and their Labradoodle, Djin Djin.
 
Wendy Leigh is the New York Times bestselling author of thirteen books, including Life with My Sister Madonna (as co-author) and True Grace: The Life and Times of an American Princess.

Excerpt. © Reprinted by permission. All rights reserved.
chapter 1

A MAGICAL CHILDHOOD

Whenever I hear the blare of a foghorn or see a picture of a mermaid or a young couple madly in love, I feel as I've been Jeannie-blinked back into my childhood, happy and secure.

The foghorn, you see, reminds me of San Francisco, where I grew up. The mermaid reminds me of Dolfina, the famous "Girl in the Fishbowl" always on display at the Bal Tabarin restaurant on Market Street, where my parents often used to bring me when I was very young, simply because they couldn't afford a babysitter and had to cart me everywhere with them.

In those far-off years during the Depression, however poor my parents were, they still hadn't forgotten how to love, how to laugh, and how to dream. They were young and carefree, spent every penny my father earned from his job as a telephone lineman, and understood exactly how to have fun.

At the time, long before my younger sister, Alison, was born, I was my mother's "onliest only," as she called me then, and would until her dying day. Like many an only child, I was probably grown-up before my time, and those nights at the Bal Tabarin (which later became Bimbo's 365 Club), where Rita Hayworth danced in the chorus and Ann Miller was discovered dancing when she was just thirteen, only served to make me more mature and at the same time give me an early love of show business.

So did seeing Bob Hope perform live onstage when I was just four years old. My mother and father took me to his show at a local theater, and I remember how joyful watching Bob made me feel. Little did I know that when I grew up, I would meet him, we'd become friends, and I'd appear onstage with him many, many times myself.

When I was a small child, my dream was to be not an actress but a singer. Each night, when I did the dishes with my mother, Alice, she sang Gilbert and Sullivan ditties or tunes from her father's favorite Irish operetta, Bohemian Girl, and I joined in. I developed a passion for singing early on in my childhood, which was only further heightened when I sang in the church choir every Sunday.

At the same time, fishing on Fisherman's Wharf with my father (although the sight of fishermen gutting their fish put me off fish for life-to this day I never eat it), roller-skating along the wharf, and bicyling in Golden Gate Park with him all contributed to making me a bit of a tomboy (which, by the way, I always thought Jeannie was as well).

I've always considered myself a California girl and have been proud of it, but in reality I was born in Tuscon, Arizona. And I always relished looking back at my mother's family history and reconstructing exactly how I ended up being born there.

I still have a remarkable letter she gave to me, which was originally bequeathed to her by her mother. It was written in 1856 by my great-great-great-grandfather, John A. Bills, to my great-great- grandparents, Bilista and William Long, after they were forced to leave New York State and go west because William, a house-painter, was dying of lead poisoning. If I could have, I would have framed it, but it is too old and too fragile, so I keep it in an acid-free envelope. All in all, I think it's a fascinating historical document (but if you don't, just skip it).

Ramsey, Illinois 28 Nov. 1856

Dear Daughter,

We rec'd your letter a few days ago and hasten to answer. We were sorry to hear that William was so feeble although it was not all together unexpected. He has been so long sick that we sometimes almost believed that thought he might at last recover-but we feel that even this letter may find you a widow and the children orphans-I sometimes feel as though you would be doubly afflicted situated as you are a stranger almost in a far off country-but it seem you are not discouraged or cast down entirely. We really hope a way will be provided for you and the little ones. Do you still feel that you had rather stay there or would you like to come back and live among your old acquaintances and friends once more.

We have sold out all our things in Troy and moved to the west. We are on a farm in a town called Ramsey it is on the Illinois South Central Railroad. As far south nearly as St. Louis. We have a very nice farm of 1110 acres and so far like it much. Gardner and George are here with us and John in Vandalia 13 miles south of us to work at his trade (dentist). Uncle Loren is out in the northern part of this state with all of his family and they seem and write that they like first rate. Uncle Alanson is still in New York. Alonzo has gone to sea again this time to Calcutta. I suppose he is bound to be a sailor. Iarne and Abner are in stores. Claryou is at home. Samuel and Sarah live in Williamsburg opposite New York. Daniel is a carman, Uncle Luis and Nathan are in -- on their old places all well. Allen and Ester lived in Albany when we came away-have not heard from them since.

I had a letter from Mrs. Harlow sometime since they live in Oroville and she seems to think that they are getting rich again- I hope they may. I suppose Mrs. Alfred Smith is out there as she has sold all her furniture and was calculating to go in a few days when we left Troy the first of July-is she there and what are they about. I wish we could run in and see you and help you in your time of need-but we are a great way apart and it is not likely that I shall ever go to California again-if we had Mary & Willie home we could give them a good chance for school and bread and milk-We have two good cows and make plenty of butter and have lots of cream and milk to eat and use-I suppose they are great children now and hope they are and always will be good children and do all they can to help their mother through life.

Now Bilista I should like to know how you are situated to get a living- can you earn enough to make yourself and children comfortable-do you intend to stay there and work and do all you can to make a living or do you sometimes wish you was back again-I wish you would write me as to how you feel about it-We think this is a good and healthy country- My health and your mother's is much better than it was in Troy and so far we are not sorry we moved-Please write soon and often and we will write often now that we are settled down once more-Give our respects to Mr. & Mrs. Smith if she is there-and finally give our respects to all our old acquaintances if you see any of them.

Goodbye and may the Lord give you strength to endure whatever you may be called to go through.

Direct your letter "John A Bills, Ramsey-Fayette Co Illinois."

Your Father John A Bills

Mrs. Bilista A Long San Francisco Cal

The Mary mentioned in the letter was my great-grandmother, Mary Dorothea Long, who came west in the covered wagon with her parents, Bilista and William Long, when she was only four years old. After her parents' untimely deaths, she was raised by nuns in San Francisco.

My great-grandfather, Richard O'Leary, was born in County Cork, Ireland. When he was a child during the potato famine, his parents, hoping to save his life, put him on a ship bound for the New World. That ship turned out to be one of the "coffin boats," so named because so many children who sailed on them died of starvation or disease during the harsh and unforgiving Atlantic crossing.

Richard O'Leary was one of the lucky ones; he survived. At fifteen years old, still unable to read and write, he took a job building the transcontinental railroad and ended up in Marysville, California, where he met a priest and confided to him that he wanted a wife.

The priest relayed that information to my great-grandmother, Mary, who thought about it for a bit, then informed the priest, "I'll walk out with him." So that's what she did, for just one week, at the end of which she announced to the priest, "I'll marry him," and did.

She went on to teach my great-grandfather to read and write, and had nine children along the way as well, one of whom was my maternal grandmother, Frances Elvira O'Leary, who was born in Nevada and went to school there.

Meanwhile, back east in Pennsylvania, my maternal grandfather-to-be, Charles Benjamin Franklin (a distant relative of the great man himself), the son of an Englishwoman, was orphaned at nine after his parents were killed in a carriage accident.

On discovering that young Charles had been left alone in the world, his two maternal aunts sailed from England to America, determined to bring him back home to the old country with them. The aunts realized Charles was happy in his new home and allowed my grandfather to stay. However, later, he ran away from home, apprenticed himself to a ship's carpenter, and sailed the seven seas.

By the time Charles arrived back in America, he had married, divorced, and along the way become an accomplished carpenter, adept at all branches of the trade, including cabinetry. Finally he turned up in Nevada, where he booked into a small boardinghouse. There, one morning, a beautiful young girl-Frances Elvira O'Leary-served him breakfast.

Although he was entranced by her charms, he nevertheless couldn't help noticing that she kept rubbing her cheek. Without any preamble, he demanded to know why she hadn't seen a dentist. She blushed scarlet and shook her head, whereupon he grabbed her arm and declared, "Whether you like it or not, I'm taking you to one."

He did, and within months, my grandmother, Frances Elvira O'Leary, married Charles Benjamin Franklin in San Francisco. My mother, Alice, the youngest of four children, was born in El Paso. My grandfather became a house builder and would remain so for the rest of his days, building homes in Los Angeles, El Paso, and Tuscon, Arizona, which is where I came in.

During the first two or three years of my life, because money was quite scarce, we lived in Tucson and then El Paso with my grandparents. My earliest memory is of sleeping in one bed with my mother, in the morning watching her get dressed for work, and being overwhelmed by her youth and beauty.

In the early thirties, my mother attended business college, where she learned dictation and accounting, and eventually she got a job at the Western Auto Company. In many ways, she was ahead of her time, and truly emancipated. Thinking back to my pioneer great-grandmother and my schoolteacher grandmother, I'd have to say that I was born of strong women, and that thought makes me proud.

Yet these women were also warm and loving, and I'll always remember how lucky I felt as a little girl to have my mother's hand to hold on to, and my grandmother's as well. My grandmother would hold my hand loosely, my mother more firmly, but either way, they both made me feel safe and loved.

My mother was the baby of her family and was particularly close to her sister, Margie, who lived in San Marino, not far from LA (of which more later). Margie was as pretty as my mother, possessed a vivid, whimsical imagination, and christened everyone in the family with secret fairy names. I was dubbed "Music." My mother was "Smile." And Aunt Margie called herself "Mischief."

I guess I must have inherited Aunt Margie's fanciful imagination, because from the time I was a small child, I had three fantasy friends: Dagolyn, a girl; Good Johnny, a boy; and Bad Johnny, who I believed lived under my bed. Dagolyn and the two Johnnies were always a rich and vibrant part of my childhood imagination, though I loved Good Johnny best. Looking back, I can't help wondering at the coincidence that my current husband, the love of my life, is named Jon.

Margie and my mother loved practical jokes and were always playing tricks on each other and the rest of the family. One time, my father (who didn't like anyone to look at his feet, and always made sure to wear slippers or shoes) was fast asleep, and Margie and my mother sneaked into his room. While he was snoring away, they pulled back the bedcovers and painted his toenails red. When he woke up and caught sight of his bright red toenails, he went ballistic, but then calmed down and laughed uproariously.

Another time, one of my uncles, who worked for the government, had to attend a crucial business meeting, and when he wasn't looking, Margie and my mother sewed up one of his pant legs so he couldn't get it on. They were always playing practical jokes like that, and I was always vastly entertained by all their pranks, however childish.

My grandfather, Charles Benjamin Franklin, was a loving and kind man who took great care of me. At the end of most days, he'd put his snap- brimmed hat on, say, "Get your hat, Barbara Jean" (which is what my grandparents and everyone else called me back then), take me by the hand, and set off for the grocery store with me.

On the way back, he'd always stop at a bar and have a beer; I had a soda. One day I came home and informed my grandmother that I'd drunk a whole glass of beer all by myself. Such was the force of the conviction in my voice that she believed me and practically had a fit until my grandfather convinced her otherwise.

My grandfather had beautiful reddish brown curly hair, and I remember when I was about three and asked, "Can I wash your hair, Grandpa?" and he let me. Even then, it was clear that he couldn't refuse me anything.

One day I begged him to buy me a pair of red shoes, and he did. When my grandmother saw them, she screamed, "Charles!" and whisked them away from me, putting them out on the fence. My grandfather and I exchanged rueful glances, but both of us knew better than to go against my grandmother's iron will. By morning they had vanished, and I never saw them again.

Another time, I overheard my mother and my grandmother saying that they were going to the movies. Off they went, leaving me at home with my grandfather. I went over to him, tugged on his coattail, and said, "Grandpa?" Without looking up from his newspaper, he said, "Yes, child?" Encouraged, I went on, "Grandpa, would you take me to the movies?" Without a moment's pause he said, "Yes, child." Then he put on his hat, and off we went together.


From the Hardcover edition.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Loved This Book!
By Math Coach
This is a very interesting book. Having watched "I Dream of Jeannie" for many years, it was a joy hearing about her life story. Learning more about how she got the part of Jeannie and dealing with Larry Hageman's personality, the show itself, etc. helped me to understand the earlier years of television shows and the business scene. I truly enjoyed knowing and respecting what a kind and caring person she was in her own personal choices in life. She has had her share of ups and downs in her career and her family life. I felt like she is the kind of person I would enjoy having as a friend. She is a great lady and good actress.....and fantastic writer.

8 of 8 people found the following review helpful.
A Thoughtful Read
By Library GaGa
I became interested in this book when I read the excerpt online. I always liked Barbara Eden and knew nothing about her life. She comes across as a well-protected personality who doesn't want to hurt anyone she has worked with, or a real "lady" in the best sense of the term. She's no angel but she's far from wild, an ordinary human being who has had success in a difficult profession. Her personal tragedies are quite sad but she has coped. I recommend this autobiography not for any earth-shaking wisdom, but for the revealed humanity of a television personality we all know.

8 of 8 people found the following review helpful.
I dream of Jeannie
By Marsha Goff
This book was a fascinating read for me.
For anyone over 50 years old this will bring back
memories of your childhood and the TV shows you
use to watch and many of the famous actors and actresses.
Barbara Eden writes this memoir in such a way that you feel
as if you are reliving her life experiences with her!
It is hard to imagine that someone that is remembered as
a genie popping out of a bottle had such a wide range of
personal real life experiences some of which you may relate to.
It is well written and a book hard to put down. Enjoy!

See all 307 customer reviews...

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Senin, 19 Mei 2014

[I694.Ebook] Download PDF Worldwide Guide to Equivalent Nonferrous Metals and Alloys, by American Society for Metals

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Worldwide Guide to Equivalent Nonferrous Metals and Alloys, by American Society for Metals

  • Sales Rank: #4229469 in Books
  • Published on: 1980-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 626 pages

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Rabu, 14 Mei 2014

[X635.Ebook] Fee Download Rules for Radical Conservatives: Beating the Left at Its Own Game to Take Back America, by David Kahane

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Rules for Radical Conservatives: Beating the Left at Its Own Game to Take Back America, by David Kahane

The vast right wing conspiracy has found its General Patton, and his name is David Kahane. Kahane's pseudonymous, satiric column for National Review Online, lampooning the Left via his Hollywood-radical persona-Stephen Colbert's liberal doppelganger-is must-listening for political aficionados of all stripes. Now, from the inside, Kahane proudly exposes the secret and not-so-secret winning strategies (and vulnerabilities) of the Left and gives desperate conservatives a roadmap to victory, in a take-no-prisoners manual modeled after Alinsky's Rules for Radicals, C. S. Lewis's The Screwtape Letters, Machiavelli's Prince, and, of course, the Chicago Way.

  • Sales Rank: #12066881 in Books
  • Published on: 2010-10-12
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 8
  • Dimensions: 6.40" h x .90" w x 6.70" l, .66 pounds
  • Running time: 10 Hours
  • Binding: Audio CD

Amazon.com Review
Brad Thor Reviews Rules for Radical Conservatives

Brad Thor is the #1 New York Times bestselling author whose titles include The Lions of Lucerne, Path of the Assassin, State of the Union, Blowback (recognized as one of the Top 100 Thrillers of All Time by NPR), and The Last Patriot (nominated best thriller of the year by the International Thriller Writers Association and banned in Saudi Arabia). Read his review of Rules for Radical Conservatives:

Normally when someone whispers, “Psssst, hey buddy,” at me (especially when I’m in Hollywood), I keep on walking. But for someone reason when David Kahane did it, I stopped and I listened. And boy, did I get a politically insightful earful.

Kahane is the pseudonymous persona of a highly-connected, extremely funny, and incredibly bright Hollywood liberal who has turned to eating his own. Reading Kahane is like sitting next to Sean Connery in that scene from The Untouchables when he tells Elliot Ness that the only way he’ll ever beat Capone is to beat him at his own game, to beat him the Chicago way, and that’s what Rules for Radical Conservatives is all about-–beating the leftists at their own game.

Don’t ask me why Kahane, the Arthur Frommer of the left, turned against his once beloved Progressive movement, just be glad that he has. Throughout this brilliant book, we get a poignant (and hysterical) peek behind the leftist curtain and learn what motivates them, how they operate, how they have co-opted media, education, government, and more. Best of all, Kahane offers us an ingenious, point-by-point roadmap for taking our country back.

If you haven’t read Kahane before, you’re in for a treat. If you haven’t even heard of Kahane before, you’re in for an even bigger treat as Rules for Radical Conservatives is the perfect place to delve into his wide and witty body of work. And while the left may refer to him as their Benedict Arnold, I see him as our own Benjamin Franklin-–a man of incalculable intellect who can’t help but dispense his wisdom with an extraordinary sense of humor.

Make no mistake, Kahane is no leftist plant. He’s the real deal and he’s here to help save America. Never has there been a funnier book that so succinctly spells out the left’s game and how to beat them at it. Only when you stop laughing will you realize how much you have learned and how much better prepared you are to take the fight to those who would destroy America and everything we hold dear.

In short-–I laughed, I cried, I bought copies to give to all my friends. Rules for Radical Conservatives gets two red-white-and-blue thumbs all the way up!

From Publishers Weekly
The pseudonymous columnist for the National Review Online ("a kind of reverse Stephen Colbert), Kahane showcases his conservative philosophies in all their prescient glory. A time-travelling Ginsbergian introduction makes it clear that this is a battle cry, not a think piece: "I was present when the Sodomites came for Lot's sons and rejected his living daughters... I was there at Belshazzar's Feast, when the moving hand writ large upon the wall: mene, mene tekell upharsin... I was there when Pilate washed his hands of the Christ, when the Czar and his family were murdered, when Oswald's bullet went through the back of Jack Kennedy's head." Kahane's fondness for language often lends his rebuttals of liberal thought a beat poet's madness; the whole enterprise, however, reads more like a rant than coherent thought, making it difficult at times to find the needle of argument in his haystack of propaganda. Those who follow Kahane (the name of the screenwriter in The Player who was murdered behind the Rialto theater) will no doubt be delighted; those you don't will of course steer clear, taking the author's lead in making no attempt whatsoever to find common ground. (Sept.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
Forget the cerebral conservatism of a Russell Kirk or a Robert Nisbet. Kahane delivers a brash, in-your-face conservatism. To be sure, Kahane shapes his brashness into wicked irony reminiscent of C. S. Lewis’ The Screwtape Letters, laced with the cunning shrewdness of a twenty-first-century Machiavelli and spiced with the acerbic panache of an H. L. Mencken. But Kahane wants to do more than add a colorful new volume to the library of political literature: he aims to incite a riot—a conservative riot. Conservative readers will indeed seethe with rage as Kahane recounts the left’s betrayal of traditional freedoms that flourished in a society sustained by religion, family, and private industry. And they will draw fresh hope from Kahane’s battle plan for turning liberals’ own tactics against them. Kahane believes, for instance, that conservatives can expose the follies of political correctness to the same kind of acid humor that liberals have used to dissolve traditional pieties. Liberals, of course, will resist Kahane’s every word. But no reader will leave these pages bored. --Bryce Christensen

Most helpful customer reviews

4 of 4 people found the following review helpful.
better than Rules for Rradicals by Saul Alinsky!
By Richard K. Moore
Great outline of the process to topple a democracy and turn it into a socialist state, and we're already there!
Hillary Clinton wrote her thesis on Saul Alinsky's 'Rules for Radicals', and Obama is a philosophical supplicant to Saul's theories.
Saul Alinsky's 'Rules for Radicals' starts with, believe it or not, setting up national healthcare, increasing the debt, increasing the racial divide, controlling education, and more.
Sounds like we're already there with a horrible national debt, Obama care, Ferguson, and Common Core and NGSS, not to mention the hold the government will have on what our community colleges will be told to teach when they foot 75% of the bill for free college for the masses, whether they will succeed or not. It's creating more entitlements!

2 of 2 people found the following review helpful.
Kahane nails this.
By David Brayton
Fantastic book for every single conservative and libertarian on the planet. Liberal DB's need not apply. This piece is spot on exposing the satanic agenda of liberalism and it's primary advance engine called the democrat party. Humorous and in a slight vein of the Screwtape Letters "Kahane" takes us through an exhaustive history of liberalism by way of the ever present evil of Saul Alinsky. I could not put this book down.

2 of 2 people found the following review helpful.
David Kahane lays out the Bible of the left and ...
By Michael B.
David Kahane lays out the Bible of the left and their reliance on lies and misrepresentations to manipulate the gullible electorate. It shows the left are the direct decendents of the failed philosophy that bankrupted the Soviet Union. The yellow journalism of the American press was even rewarded with twelve of Russia's highest civilian awards to a dozen U.S. journalists for disseminating the left's anti U.S. message. A factual and much needed book.

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Selasa, 13 Mei 2014

[P568.Ebook] Ebook Download 500 Exercices de Phonetique (A1/A2) (French Edition), by Dominique Abry

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500 Exercices de Phonetique (A1/A2) (French Edition), by Dominique Abry

Le syst�me phon�tique du fran�ais standard est travaill� en 4 �tapes :
- observation et perception
- entra�nement articulatoire, rythmique et intonatif
- phonie-graphie et dict�e
- interpr�tation de textes po�tiques

En d�but d'ouvrage, des conseils pour aider l'enseignant � construire des parcours d'apprentissage.

En fin d'ouvrage, les marques du fran�ais familier, un tableau r�capitulatif "phonie-graphie", un index th�matique des notions, un tableau synoptique et les corrig�s de tous les exercices.

Inclus dans le manuel : un CD audio MP3 avec plus de 6h d'�coute.

Descriptif :

- Un travail approfondi de la phon�tique des nveaux A1 au B2 par D. Abry et M-L. Chalaron
- Un CD audio MP3 avec plus de 6 heures d'�coute inclus dans le livre

--Ce texte fait r�f�rence � l'�dition Broch� .

  • Sales Rank: #833196 in Books
  • Published on: 2013-05-13
  • Original language: French
  • Number of items: 1
  • Dimensions: 9.84" h x .39" w x 6.89" l, .86 pounds
  • Binding: Paperback
  • 192 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
Super!
By Steven
This is a great resource both to the student of the French language and to the person that uses the language who is not a native speaker. For me it has been great for learning the correct sounds and rhythms of pronunciation as well as way to learn to understand the language when someone is speaking to me. The voices speaking on the CD are both male and female and it is easy to identify with either paragon. I look forward to utilizing this resource as I prepare for my next travel to Europe.

5 of 5 people found the following review helpful.
Excellent
By JB007
If you want to improve your ear for French and your pronunciation, this is an excellent book. The only thing required is for you to put in your time listening and doing the exercises.

2 of 2 people found the following review helpful.
The Best French Pronunciation Guide I've Ever Used
By NYer
I owned an earlier version of this, "350 Exercices". That program has been updated, split between the A1/A2 and B1/B2 books and the exercises are now on CD, instead of tape cassette, which makes the sound files easier to play and to use on different devices.

This is simply the best French pronunciation guide I've ever used. It starts with the basics, the alphabet, and moves on to vowels, consonants, liaisons, enchainements, articulation, intonation, and rhythm. The drills are varied and involve sound and beat identification, repetition, and transcription. Normal and informal register speech are covered, as is the French International Phonetic Alphabet. The Hachette site has some downloadable excerpts if you'd like to sample the program. Whether you are a complete beginner or a more experienced speaker seeking to refine your accent this book and CD will be tremendously helpful.

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Senin, 12 Mei 2014

[B339.Ebook] Ebook Spillover: Animal Infections and the Next Human Pandemic, by David Quammen

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“Science writing as detective story at its best.” ―Jennifer Ouellette, Scientific American

A New York Times Notable Book of the Year, a Scientific American Best Book of the Year, and a Finalist for the National Book Critics Circle Award.

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  • Sales Rank: #31332 in Books
  • Brand: Brand: W. W. Norton n Company
  • Published on: 2013-09-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.10" w x 5.50" l, 1.00 pounds
  • Binding: Paperback
  • 592 pages
Features
  • Used Book in Good Condition

From Booklist
*Starred Review* Exemplary science writer Quammen schools us in the fascinating if alarming facts about zoonotic diseases, animal infections that sicken humans, such as rabies, Ebola, influenza, and West Nile. Zoonoses can escalate rapidly into global pandemics when human-to-human transmission occurs, and Quammen wants us to understand disease dynamics and exactly what’s at stake. Drawing on the truly dramatic history of virology, he profiles brave and stubborn viral sleuths and recounts his own hair-raising field adventures, including helping capture large fruit bats in Bangladesh. Along the way, Quammen explains how devilishly difficult it is to trace the origins of a zoonosis and explicates the hidden process by which pathogens spill over from their respective reservoir hosts (water fowl, mosquitoes, pigs, bats, monkeys) and infect humans. We contract Lyme disease after it’s spread by black-legged ticks and white-footed mice, not white-tailed deer as commonly believed. The SARS epidemic involves China’s wild flavor trend and the eating of civets. Quammen’s revelatory, far-reaching investigation into AIDS begins in 1908 with a bloody encounter between a hunter and a chimpanzee in Cameroon. Zoonotic diseases are now on the rise due to our increasing population, deforestation, fragmented ecosystems, and factory farming. Quammen spent six years on this vital, in-depth tour de force in the hope that knowledge will engender preparedness. An essential work. --Donna Seaman

Review
“That [Quammen] hasn’t won a nonfiction National Book Award or Pulitzer Prize is an embarrassment…Timely and terrifying. Mr. Quammen, a gifted science writer, combines physical and intellectual adventure. He also adds a powerful measure of moral witness: ecological destruction is greatly to blame for our current peril.” (Dwight Garner - The New York Times)

“David Quammen [is] one of that rare breed of science journalists who blend exploration with a talent for synthesis and storytelling.” (Nathan Wolfe - Nature)

“Riveting, terrifying, and inspiring.” (Georges Simenon - Wired)

“David Quammen might be my favorite living science writer: amiable, erudite, understated, incredibly funny, profoundly humane. The best of his books, The Song of the Dodo, renders the relatively arcane field of island biogeography as gripping as a thriller. That bodes well for his new book, whose subject really is thriller-worthy: how deadly diseases (AIDS, SARS, Ebola) make the leap from animals to humans, and how, where, and when the next pandemic might emerge.” (Kathryn Schulz - New York Magazine)

“[Spillover is] David Quammen’s absorbing, lively and, yes, occasionally gory trek through the animal origins of emerging human diseases.” (Cleveland Plain Dealer)

“As page turning as Richard Preston’s The Hot Zone…[Quammen is] one of the best science writers.” (Seattle Times)

“[Spillover] delivers news from the front lines of public health. It makes clear that animal diseases are inseparable from us because we are inseparable from the natural world.” (Philadelphia Tribune)

“Starred review. ...a frightening but critically important book for anyone interested in learning about the prospects of the world’s next major pandemic.” (Publishers Weekly)

“Starred review. A wonderful, eye-opening account of humans versus disease.” (Kirkus Reviews)

“Starred review. An essential work.” (Booklist)

About the Author
David Quammen is the author of The Song of the Dodo, among other books. He has been honored by the American Academy of Arts and Letters and is the recipient of a John Burroughs Medal and the National Magazine Award. He lives in Bozeman, Montana.

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170 of 177 people found the following review helpful.
Gripping stories with good science
By Rachael Ludwick
The jargon of diseases can be boring, tedious. There are a lot of acronyms and big words. Worse, we often don't know as much as we'd like -- and usually we aren't very certain of what we do know. Telling a good story given those constraints is hard. But Spillover repeatedly provides gripping stories that still impart a good understanding of what we know about zoonotic (animal-origin) diseases. Even better, the author ties disparate stories together to describe some general trend and possible causes for seemingly new infectious diseases. But I don't want to summarize the conclusions: I want you to go read it. You won't be bored and you'll learn a lot (most definitely even if you've read books like The Hot Zone or the Coming Plague).

Some other notes:
* The author has a less human-centric attitude and a lot of sympathy for the animals, like horses or apes, who sometimes are actually the first animal a disease spills over into only to later infect humans.
* He has a wry tone. When noting the euthanasia of a large number of monkeys (even ones likely not infected with a disease), he notes no humans were euthanized despite equal exposure.
* He provides full references. Some of those papers are quite readable by a non-expert such as this review ([...]) of the importance of bats as reservoirs for infectious diseases.
* The stories are often told from the perspective of the scientists trying to figure out what the heck is really going on. The author is also not afraid to explain when scientists just don't know -- and how they might figure it out more.
* The author went on several field collections where he might have been exposed to a disease being investigated.

If I had any criticisms I would have two:

* The author notes the problem of calling African hunted wild meat "bush meat" which has unsavory connotations to many Europeans and Americans despite Europeans and Americans also hunting wild animals for food. And then he still calls it that repeatedly for the rest of the book (hunted animals are a major source for new infections). I realize this makes it easier to read but it was a bit jarring.
* There is a long, imagined story in the chapters on the origin HIV that is, essentially, imagined entirely with details about a possible river fisherman who gets infected with HIV early on and brings it downstream to the (then) Belgian capitol of the Congo. Elsewhere in the book when the explanation for the origin of a disease required some imagination to fill in a plausible sequence of events, the imaginary stories were a lot less elaborate. I don't think the story detracts from the accuracy of the book: something like that had to have happened to explain the origin of HIV (specifically HIV-1). I was also perfectly entertained and learned a bit about the cultures in the region, but it stood out. It might annoy some so I note you can safely skip ahead when you hit it.

I call these two things out, but even so the book is still excellent. I have some interesting papers I want to read. I also feel I know more about how infectious diseases "work". Best of all, I am less fearful of them as well.

71 of 74 people found the following review helpful.
Spillover: Animal Infections and the Next Human Pandemic
By Thomas Jones
I have a science background but not in the biological sciences. Over the years I have followed much of the discussions about HIV/AIDS, SARS, and other outbreaks of infectious diseases in the popular press without being able to put it all together. This book provides that overall view and a status report on our efforts to deal with this ongoing threat. In a few spots there may be more technical information than many may want but it is presented in a way that allows one to move past it without losing the thread of the discussion. The book provides a description of the work done by the professionals on the front line and challenges they face. This is an important subject that we all should all be aware of. The book is well worth reading.

36 of 38 people found the following review helpful.
Excellent, Vital, Gripping Book
By Yarrow
I can't recommend this book highly enough. Quammen's writing is vivid yet measured, detailed yet gripping, and he possesses true talent as a narrative non-fiction writer. His ability to explain complex scientific ideas and processes in layman's terms is fantastic, and made this book such a joy to read. Though pandemic disease is often written about in ways that are hysterical and melodramatic, SPILLOVER is not a fear-mongering book.

I also deeply appreciated Quammen's awareness of the animals involved, and his respect and empathy for them. It's subtle but ever-present in his choice of language describing them.

I hope this book is assigned in high schools-- it was so inspiring it made me wish I could do my undergraduate schooling over again and become a scientist.

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Jumat, 09 Mei 2014

[Q692.Ebook] Download Ebook Moroccan Fashion: Design, Culture and Tradition (Dress and Fashion Research), by M. Angela Jansen

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Moroccan Fashion: Design, Culture and Tradition (Dress and Fashion Research), by M. Angela Jansen

Moroccan garment design and consumption have experienced major shifts in recent history, transforming from a traditional craft-based enterprise to a thriving fashion industry. Influenced by western fashion, dress has become commoditized and has expanded from tailoring to designer labels. This book presents the first detailed ethnographic study of Moroccan fashion.

Drawing on interviews with three generations of designers and the lifestyle press, the author provides an in-depth analysis of the development of urban dress, which reveals how traditional dress has not been threatened but rather produced and consumed in different ways.

With chapters examining themes such as dress and politics, gender, faith, modernity, and exploring topics from craft to e-fashion, this book will be essential reading for students and scholars of fashion, anthropology, material culture, sociology, cultural studies, gender studies and related fields.

  • Sales Rank: #3282913 in Books
  • Published on: 2015-01-15
  • Released on: 2015-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .50" w x 6.14" l, .0 pounds
  • Binding: Hardcover
  • 160 pages

Review
Moroccan Fashion is a valuable addition to the growing field of non-Western fashion studies ... The book is to be lauded for its scope and attention to detail, as is Jansen's conviction that fashion is a global phenomenon and not one manifested only in European/Western haute couture and high street fashions. Costume This is an engaging and carefully situated analysis of generations of Moroccan fashion designers who artfully negotiate cultural heritage and global trends through their products. -- Loubna Skalli-Hanna, International Development Program, School of International Service, American University, Washington, DC, USA This book presents an important contribution to both fashion history and anthropology; convincingly and with sincerity and the author treats dress as the materialisation of broad, interrelated cultural phenomena, historical and economic processes and societal changes within a non-European nation rather than artefacts of alien traditions and cultures which resist transformation and development or items of purely technical interest. -- Hailey Maxwell LSE Review of Books

About the Author

M. Angela Jansen is Postdoctoral Researcher at London College of Fashion, University of the Arts London, UK.

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Rabu, 07 Mei 2014

[S314.Ebook] Free Ebook The Proverb in the Context of Akan Rhetoric, by Kwesi Yankah

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The Proverb in the Context of Akan Rhetoric, by Kwesi Yankah

Attracting renewed attention by a new generation of scholars, the book presents a comprehensive ethnography of proverb communication in an African culture and achieves a significant breakthrough in proverb studies. The author critically reviews the dynamics of the proverb, one verbal genre that embodies the high point of rhetoric in traditional and contemporary Africa, and explores in rich details the proverb's creative potential, authorship and effectiveness in crisis management. Yankah elevates the documentation of the African proverb beyond decontextualized compilations, and portrays the proverb as a dynamic communicative strategy in which form, meaning and logic are in constant flux. The study, which focuses on the Akan of Ghana, situates the proverb in the heart of real life discourse interactions and monitors its rhetorical efficacy on the basis of indigenous aesthetics. The book should be of value to folklorists, sociolinguists, anthropologists, literary scholars and students of African studies and communications.

  • Sales Rank: #1840501 in Books
  • Published on: 2012-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .81" w x 5.98" l, 1.33 pounds
  • Binding: Hardcover
  • 296 pages

Review
�Kwesi Yankahs Studie...darf vorbehaltlos als eine Perle der Sprichw�rterforschung bezeichnet werden.(...) Die eigentliche Faszination dieses Werkes liegt in der Kombination von theoretischer Einsicht und ethnographischen Beobachtungen.� (Regina Bendix, Schweizerisches Archiv f�r Volkskunde)
�This work provides the most thorough understanding of the meaning of this particular speech form in the culture, thereby contributing to a fuller understanding of the whole process of cognition and negotiation, and to concepts of the self in Akan. It thus contributes to the understanding of Akan culture as much as to that of rhetoric and speech performance. (...) Yankah's work is equally important to West African scholars.� (B.J.Stoeltje, Journal of Folklore Research)
��A! brilliant work. Yankah is to be commended for this study, important not only for proverb lore but also for Africanist studies that deal with methodological problems of general interest to Comparative Literature.� (Patrick Kobina Kilson, Recherche Litt�raire)

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3 of 3 people found the following review helpful.
This book pretty much says it all, and does it very well
By Phil Rogers
A brilliant exposition, which covers every aspect and type of use made of the art of proverbs in this linguistic region (the Akan peoples inhabit much of the southern half of Ghana, and include the large sub-groups Ashanti and Fante, as well as several others). There are many books which collect large numbers of African proverbs, Akan/Ashanti and otherwise, but few give any sort of pithy account as to how they are used by the people, the part creativity plays in their use, and so on. Nor do they attempt to portray the brilliance of many of the users, how the lists of proverbs are maintained, how choosing a proverb is contextually/determined in a specific situation, etc. There is even the factor of how the correct vs. incorrect and/or creative use of a proverb leads to respect being gained or lessened by the individual using it.
There are proverb performance artists; proverbs are used during judicial proceedings, and in educational and religious contexts. Mr. Kwesi Yankah does a masterly job of dissecting the rhetoric, by citing 72 specific proverbs, documenting and further explaining how each was used in a specific situation. The textual analysis is exemplary. For each of the 72 situations, he identifies the type of interaction (e.g. formal judicial proceedings, church sermon, conversation between two people etc.), size of audience, age and gender and/or occupation of the proverb speaker, place/location, and original language. If the proverb was used in the midst of a longer oratorical passage, enough of that verbiage is included so the context is evident - the proverb itself is italicized.
In an appendix, Yankah lists these 72 situational proverbs in Twi (the language of the Akan peoples) along with the equivalent English. All in all, the treatise is well documented with appropriate footnotes, and there is an ample 14-page bibliography of works cited. This is a well-designed and well-executed work - it's not too difficult reading even for a non-specialist such as myself. There are wider implications for world culture as a whole: it helps to dispel the idea (which is probably still floating around) that African discourse is somehow of less substance than that of say, those of Euro-America and Asia. In 1985, it won Indiana University's Esther Kinsley Award for Best Dissertation.
[One of the earliest Akan proverb collections, J. G. Christaller's 'Tshi Proverbs' (1879), had an odious preface which stated that, in effect, the main use for such a work would be for Christian missionaries to better understand how to manipulate the natives to convert to his religion. Christaller's proverbs remained untranslated until later, when Rattray and others began that further work, and for the same stated objective. Many of these other early collectors/translators were also missionaries.]
Note that here Mr. Yankah's surname is spelled incorrectly as "Yanka". For other of his various, available works - please search the correct spelling.
Also please note that there is a serious pagination error in chapter 8: "Proverb Rhetoric and the Judicial Process". You'll have to read the pages in the following order: 214 . . . 218 . . . 215 . . . 216 . . .217 . . . 219. After that everything reverts to normal.

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