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Succinct, lively, and affordable, ESSENTIAL CINEMA: AN INTRODUCTION TO FILM ANALYSIS vividly illustrates principles in action as it helps you develop effective skills in close analysis. The book is packed with frame captures you can readily relate to, and it also features interviews with film practitioners throughout, giving you insight into real-world practice. In addition, unique screening questions at the end of each chapter help you apply chapter concepts to any film you watch, while the running glossary and end-of-text illustrated glossary offer easy access to full explanations of concepts.
- Sales Rank: #378185 in Books
- Brand: Brand: Cengage Learning
- Published on: 2013-01-01
- Original language: English
- Number of items: 1
- Dimensions: 10.70" h x .60" w x 8.40" l, .0 pounds
- Binding: Paperback
- 352 pages
- Used Book in Good Condition
Review
"This text beautifully balances the needs for both breadth and clarity in an introductory Cinema Studies textbook. Students are introduced to the fundamental terms and concepts that will enable them to continue their study of the movies without being overwhelmed by information. The author understands the pedagogical and cognitive concept of scaffolding: an introductory course or textbook represents a foundation to build on, a starting point rather a final destination. Clarity and comprehension are key features of the text, and this textbook is both usefully organized and beautifully written or This is a coherent, focused, and pedagogically well-informed introductory textbook. It nicely balances the need for both breadth and intensity. It provides students with a comprehensive overview that won't overwhelm them. The illustrations are beautifully chosen."
"This is simply the most up-to-date and informative textbook in the field that I'm aware of, all presented in a manner that is likely to appeal to the contemporary student. ... This is an approachable and concise work and I am highly impressed with the organization and tools that have been included."
"A thorough yet clear guide to film technique applicable to introduction courses and useful as a resource in other courses. This is the kind of book that students won't sell back at the end of their intro course."
About the Author
Jon Lewis is a professor in the English Department at Oregon State University where he has taught film and cultural studies since 1983. He has published eight books: THE ROAD TO ROMANCE AND RUIN: TEEN FILMS AND YOUTH CULTURE, which won a CHOICE MAGAZINE Academic Book of the Year Award; WHOM GOD WISHES TO DESTROY … FRANCIS COPPOLA AND THE NEW HOLLYWOOD; THE NEW AMERICAN CINEMA; HOLLYWOOD V. HARD CORE: HOW THE STRUGGLE OVER CENSORSHIP SAVED THE MODERN FILM INDUSTRY, a NEW YORK TIMES New and Noteworthy paperback; THE END OF CINEMA AS WE KNOW IT: AMERICAN FILM IN THE NINETIES; AMERICAN FILM: A HISTORY; LOOKING PAST THE SCREEN: CASE STUDIES IN AMERICAN FILM HISTORY; and for the British Film Institute's Film Classics series, THE GODFATHER. Professor Lewis has appeared in two theatrically released documentaries on film censorship: INSIDE DEEP THROAT (Fenton Bailey, 2005) and THIS FILM IS NOT YET RATED (Kirby Dick, 2006). Between 2002 and 2007, he served as editor of CINEMA JOURNAL and had a seat on the Executive Council of the Society for Cinema and Media Studies.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great Book
By Tina Ortega
This book came to my home on time. I thought the book was great. It helped a lot in study time with easy reading and good photos.
1 of 1 people found the following review helpful.
Five Stars
By Sukhjinder Singh
Great read, very helpfull, reccomend it to anyone who wants to know the Cinema and its compents.
0 of 0 people found the following review helpful.
Stunning insight in a beautiful book by one of the most gifted film academics ...
By Robert C. Wall
Stunning insight in a beautiful book by one of the most gifted film academics in the United States. The e-book version is full of extras, including almost 100 video clips and chapter tutorials.
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